exploring memory, identity, and ephemeral narratives
My artistic research investigates how images construct, destabilize, and transform collective memory under contemporary technological conditions. Working across experimental film, installation, and digital environments, I approach media not as representation but as epistemic infrastructure.
The practice unfolds along three interrelated axes: archival reconfiguration, digital simulation, and embodied narration. Through the re-appropriation of found footage and historical image systems, I examine the politics of nostalgia and the instability of mediated memory. In parallel, I analyze virtual environments and software-based processes as narrative structures that reorganize perception and authorship. Performative and participatory formats extend this inquiry toward the body as a living archive.
Across these fields, the work explores reconstruction and loss as structural conditions of cultural memory in times of migration, technological acceleration, and geopolitical rupture.